PHOTOGRAPHY
Spanning the years 2007 to 2025, the artist’s photographic practice is rooted in analog processes, yet it systematically resists the fixity often associated with the medium. These images are not final products but mutable surfaces – subjected to repeated interventions: the scratching of emulsion, the layering of pigment, the manual addition of color and texture. Through this ongoing reworking, each photograph becomes a palimpsest, bearing the traces of multiple temporalities and epistemologies – documentary, performative, painterly. These works occupy a liminal zone where photography converges with the aesthetic logic of painting and collage, generating a space of transmedial dialogue.
A recurring formal and conceptual motif is theatricality: compositions are frequently staged, yet they preserve a charged affective density. The subjects are almost exclusively women – intimate figures from the artist’s personal orbit (relatives, friends), as well as women encountered during travel across diverse cultural and geopolitical contexts. These portraits are far from neutral; rather, they are images of arrested motion and silenced articulation. The female body becomes a contested site – immobilized, withheld, breathless – poised on the edge of a scream that is never released. This suspension imbues the works with a haunting latency.
The photographs operate as feminist inscriptions – not merely in their subject matter, but in their structural resistance to closure, containment, and the documentary gaze. They propose a counter-archive: one that privileges opacity, multiplicity, and embodied subjectivity. These are not images that explain; they vibrate with what remains unsaid.
The tension between stillness and urgency, silence and subtext, renders the photographs deeply affective. They gesture toward a politics of witnessing that is at once intimate and collective. What emerges is a visual poetics of interruption – a recognition that the photograph can hold space for what is irreducible, ambivalent, and powerfully human.
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© Agata Stępień 2025